Archive for March, 2008

Pink Panther remake sequel gets a Director

Monday, March 17th, 2008

Oh sweet lord, Hollywood are insane enough to make a sequel to their Pink Panther remake, a remake that should never have even been attempted in the first place, and now they’ve found someone mad enough to actually helm the sequel.

The man who directed Agent Cody Banks, Harald Zwart, is the next one who seems to have decided he can manage to bring something worthwhile to the Peter Sellers created character. According to Rope of Silicon Scott Neustadter and Michael Weber are the men behind the script, and the untitled sequel seems set for a start date in August.

If I could get angry about these things anymore then I would be above seething and perhaps even in the livid scale already. Remaking the classic comedy with a comic talent nowhere near that of Peter Sellers was just idiotic, and making a sequel to it is even more so.

Oh, and I don’t think I said, Steve Martin is returning to the role of Jacques Clouseau. Do the words fading career and cash cow come to mind?

Sinbad Actor Kerwin Mathews Dies at 81

Sunday, March 16th, 2008

The NYT reports that “the death was confirmed by his partner of 46 years, Tom Nicoll.”

In addition to playing Sinbad in 1957, Mathews has plenty of other roles.

From the obit:

“During his 20-year career, Mr. Mathews acted in 22 movies and made many television appearances. He is also known for playing Dr. Lemuel Gulliver, tied to the ground by the little people of the island of Lilliput, in Mr. Harryhausen’s 1960 movie The 3 Worlds of Gulliver. Mr. Mathews was born in Seattle on Jan. 8, 1926. After graduating from Beloit College in Wisconsin, he taught high school English in Lake Geneva, Wis. In the early 1950s he moved to California and won a part in a play at the Pasadena Playhouse. An agent spotted him and got him a contract with Columbia Pictures. Mr. Mathews retired from acting in 1978 and moved to San Francisco. Except as Sinbad and Gulliver, Mr. Nicoll said, Mr. Mathews was never satisfied with merely playing action roles. ‘He always wanted to do light comedy, or something more weighty,’ he said. Then, in 1963, Mr. Mathews was cast as Johann Strauss Jr. in the Disney television production The Waltz King. ‘He was most proud to play Strauss,’ Mr. Nicoll said, ‘and that he had to conduct the Vienna Philharmonic. Whether they actually followed him I don’t know, but he tried very hard.’”

Healthcare in Hungary

Saturday, March 15th, 2008

One of the big topics I have yet to get into relating to the Hungarian situation is the demography. This will come a bit at a time as I ease myself in. But two factors evidently stand out here, the health care and the pensions system.

On the health front one of the factors which indicates the importance of demographic processes in the Hungarian situation is the relative importance of the big pharmaceutical companies (Richter Gedeon, Egis etc) in the economy and in payments to these companies in the general government finances picture. Many have spoken about the ‘demographics’ (as opposed to the demography) of ageing in terms of the ‘product mix’ that will be a feature of the consumption process, and here pharmaceutical products loom large (and this despite the fact that life expectancy in Hungary at 72.66 is still comparatively young by European standards, a detail which means that there is plenty of scope - as we have seen in East Germany - for extending life expectancy by intensifying medical care, but this of course, again as we are seeing in Germany, is expensive, very expensive). What many fail to note about the situation is the structural aspect, ie that there is s shift in consumption away from those who are able to pay towards those who need others to pay (either the state or children). This will have important macro economic consequences.

Some measure of the situation can be found in this Portfolio Hungary article from the end of October:

Hungary’s drug subsidy budget will be 364 billion forints in 2007, below the expected 2006 spending of HUF 380 billion, Finance Ministry spokesman Ferenc Pichler told Portfolio.hu on Monday, confirming earlier press reports.

The HUF 364 bn figure is well above the HUF 320 bn most analysts and drug sector experts had expected for next year, and is obviously positive for producers. However, it is yet to be seen on Tuesday what gross budget, which excludes producers’ contributions, the ministry expects for 2007. This information is to be of huge importance for pharmaceutical companies.

The higher-than-expected figure, or a lower-than-expected gap of the drug subsidy budget, is likely to reduce the expected contribution of the biggest listed producers, Richter and Egis, to the subsidy budget.

According to earlier press reports, the drugs budget was to be HUF 320 billion and the effective subsidy would have been HUF 440 bn in 2007. In this case, the contribution of producers would have been substantial, given that the National Health Insurance Fund (OEP) and the producers will jointly pay for an overshoot of the budget up to 9%, while any excess budget overspending above 9% will be solely covered by drug makers.

A budget of HUF 364 bn means that producers will not have to cover the overshoot fully up to HUF 467 bn worth of subsidies. As this year’s effective subsidies are to reach HUF 380-400 bn, an overshoot larger than 9% is highly unlikely for 2007. (In other words, we do not believe next year’s gross deficit will be over HUF 467 bn.)

Now at this point I am still really informing myself, and am not yet clear what the final details of the health budget for 2007 actually are (we won’t know this till the final vote on Nov 20 it seems), but one thing is for sure, the cost of these subsidies is an important part of the public finance picture, and that reducing the subsidies significantly will hit the pharma sector hard, and by a knock-on effect the economy generally.

There is more news on this today:

Yet another amendment was made to Hungary’s healthcare bill that may force pharmaceuticals to pay more into the drug budget in 2007 than planned in an earlier legislation, according to a Tuesday report by news agency Bloomberg.

Portfolio Hungary comments:

Unfortunately we find it impossible to determine which of the above proposals the committee wants to submit to Parliament. However, we would not be surprised if further modifications were made until the final vote on 20 November. Based on the current proposal, producers would have an easy job cutting their clawback - they would simply need to reduce the number of pills in boxes.

At the moment, it is also impossible to quantify the impact on the profits of either Egis or Richter.

The current uncertainties will not simply evaporate even after the bill is passed, since the size of clawback will depend on actual consumption, which cannot be assessed accurately as it hinges on different future measures that impact demand.

So the situation is a very uncertain one, but do not miss this point:

However, we would not be surprised if the act in the end would not contain a clawback obligation based on subsidy brackets. In this case, drug producers would simply need to lower the content of boxes to curb their payments into the National Health Insurance Fund (OEP).

So you can sell less for the same price. This seems to be yet another round of the ’stumbling and mumbling’ which seems to have characterized the main approach to this crisis to date. Of course there must be many cases of ‘inefficiency’ in drug provision, with people getting more medicine than they need, but there must also be many cases of people actually needing the medicines they are prescribed, and in these cases if each box contains less then they will simply need to have more boxes, and especially in the critical non-generic sector, which is why, I suppose, there is so much uncertainty about the final costs and savings involved in the exercise. The whole approach smacks more of ‘robbing Peter to pay Paul’ than of anything else. And, I repeat, all of this seems set to have important and ongoing macroeconomic consequences.

My Thoughts on The Passion of the Christ (1 of 3)

Friday, March 14th, 2008

I finally got to see The Passion of the Christ last week. It is compelling, brutal, and uncompromising—and it is a movie that lives up its name. “Passion” is not an intellectual understanding but a powerful emotional feeling, and Gibson deftly exploits the medium of film to evoke just such a response in his audience. “Passion” is also an apt description of how Gibson poured his heart and treasure into the project, holding little back from a graphic portrayal of both the Passion and the Christ.

In fact, it is probably the intensity of viewer’s unavoidable emotional reaction that is responsible for stridency of some of the reviews to the film. I have not read all or even most of the reviews on the film, but I am concerned that many of them, especially by academics, seem to have missed the mark on aspects of the movie. I am going to address three allegations about the film in tree separate parts: the movie’s violence, its historical accuracy, and anti-Semitism.

A popular word to describe the violence in The Passion was “pornographic,” but the word is so wrong in so many ways that I have to wonder how well those commentators have watched the film, how well they are familiar with contemporary movie violence (or sex), and how rampant is plagiarism in reviewing. Unlike many modern, violent movies, even those critically acclaimed like Quentin Tarantino’s Pulp Fiction and the Coen brothers’ Fargo (both of which I liked), Gibson’s Passion was much less disturbing to me than either.

In contrast with Pulp Fiction’s nonchalance over the death of a young man in the back seat of the car, The Passion did not focus on senseless acts of violence on an utterly helpless victim. Yes, Jesus was brutally scourged in the movie, but after one round Jesus stood up for more. When the trials appeared stalled and looked like Jesus might have gotten off in a mistrial, Jesus only then opened his mouth to make sure his fate was sealed. The viewer got the sense that the only person fully in control during the Passion was the Christ.

Despite the viciousness of what happened to Jesus, Gibson’s approach did not indulge in that violence in a prurient way. Showing sensitivity to his audience, Gibson faithfully moved the camera’s focus away from the violence, just when his viewers couldn’t take it anymore. Furthermore, The Passion’s flashback scenes helped to relieve those watching when the brutality would have gotten too much. This is in stark contrast with a movie like Fargo in which scenes of comedy and murder were juxtaposed, in the opposite order, so that one began laughing from the hilarity of the previous scene only to witness a terrible act being committed while still in a carried over state of glee. As a result, I found the Coen brothers’ approach of using comic relief to intensify the violence much more unsettling than Gibson’s use of flashbacks to give the audience a break.

Some flashbacks in The Passion, however, did powerfully increase the pathos. For me, one flashback in particular was the one that occurred when his mother Mary saw Jesus stumble carrying the cross and remembered back to the time when Jesus was about four years old, tripped, and fell then. Back then, she could run up and comfort him, but now helping her son was impossible. I couldn’t help it either.

Next: Historical Accuracy in The Passion of the Christ.

Movie review: The Station Agent

Wednesday, March 12th, 2008

In The Station Agent, Finbar McBride, a dwarf, inherits a rural New Jersey train depot when his only friend dies. He goes to live there and despite wanting to be left alone he has repeated encounters with a few interesting local people. I don’t know why I missed hearing about this film when it was released in 2003 (there was even some Oscar buzz), but my newest imaginary boyfriend has been waiting for me all this time. Actually, the whole cast is wonderful. Everyone is funny and fascinating in a quietly hilarious way.

“Dwarf” was the term used in the film, with “midget” once quietly denied. “Little person” never came up, so I’ll take my language cues from that unless I hear otherwise. Not that dwarfness (dwarfism?) was exactly the point of the story.

Fin’s appearance as a dwarf is quietly present all through the film — especially whenever he goes out in public — but it is never presented as an impairment or the source of any crude jokes (visual or otherwise) where he’s too short to do something. He’s a capable, independent man others seem to be drawn to. His dwarfism is a disability only in how other people see him, and possibly in how a lifetime of this has shaped his character.

In the UK, “disability” is the term those familiar with disability politics use to distinguish societal actions of prejudice and discrimination from the physical or mental conditions — “impairments” — that may or may not be actually present. While the ADA attempted to incorporate this idea into American civil rights by, for example, including discrimination against people believed to have AIDS as well as people who actually do, this distinction is not well-recognized anywhere. But Fin is a great presentation of how society disables an individual even when impairments are not apparent by setting them apart with stares and the behavior of strangers.

Peter Dinklage, who plays Fin, has talked about the effect this treatment can have: Unfortunately, a lot of kids’ curiosity is squelched by their parents. Adults don’t want to embarrass somebody else, but that perpetuates itself, and it can lead to shutting out anyone who’s different than you. Obviously we all do have these societal behaviors that we have to abide by. But, I talk to some people who just don’t want to meet my eyes. They think looking at me is rude, because they were brought up not to point or stare or whatever.Fin’s stoic loneliness matches that of the other characters and presents an interesting collage of the many ways people become socially alienated from the world. Disability as a kind of social alienation is only one example. The way Fin and the other misfits he meets form a bond is despite their separateness is the quiet beauty of the film.

Seriously, this movie makes my top ten favorites, and not just because it’s probably the first ever well-developed dwarf character on film.

Latest Update - Shoes 6/18/2007 8:00:18 PM

Monday, March 10th, 2008

Manufacturers Association: local market flooded by cheap shoes …
Port2Port - Israel
According to the footwear manufacturers, shoes imported from the Far East
are inferior in quality and are not suited to the size and shape of
Israelis' feet …
<http://www.port2port.com/Index.asp?CategoryID=46&ArticleID=1385>
Can FHA step in to fill subprime's shoes?
Upstate House - NY,USA
Previous articles in this series emphasized that the subprime market
remains open for business, with more realistic underwriting rules than
before the …
<http://www.upstatehouse.com/rss-display.php?id=inmannews63559>
New shoes make happy toes at SeaTac school
Highline Times - Seattle,WA,USA
By Eric Mathison Dubbing her effort, "Project Happy Toes," Burien resident
Jeanene Laegreid is working to gather 600 pairs of shoes and socks for
needy …
<http://www.highlinetimes.com/articles/2007/06/18/news/local_news/news07.txt>
Wine And Shoes To Save Elephants
Luxist - Santa Monica,CA,USA
Another new entry into the rapidly growing wine-for-a-good-cause category
is the Rescue Wine from Juslyn Vineyards in Napa. The owners of the winery
Carolyn …
<http://www.luxist.com/2007/06/18/wine-and-shoes-to-save-elephants/>
Skateboarding shoes prove lifesaver for Indiana teen
South Bend Tribune - South Bend,IN,USA
CHURUBUSCO, Ind. (AP) — A northern Indiana teen credits the thick rubber
soles on his skateboarding shoes with saving his life from an electric
shock that …
<http://www.southbendtribune.com/apps/pbcs.dll/article?AID=/20070618/News01/706180366/-1/NEWS01>
Swapping employees leaves big shoes to fill
Peoria Journal Star - Peoria,IL,USA
It's just that the Peoria City Election Commission has hired away the
election staff of the Peoria County Clerk's Office. Just a few months into
his new job …
<http://www.pjstar.com/stories/061807/WOR_BDH2JHS5.007.php>
Justin Timberlake Hates Jessica's Dogs Because they chew his shoes…
Entertainmentwise - London,UK
"The oldest one, Tina, growls at him and the second one, Tezzy, chews on
his shoes." Jessica recently joined Justin's ex Cameron Diaz for a
'Shrek The …
<http://www.entertainmentwise.com/news?id=33218>
South Africa: Before You Moan, Put Yourself in Selectors' Shoes
AllAfrica.com - Washington,USA
It is also a blessing if a player suffers an injury and someone equally
talented can step into his shoes immediately. But such depth can be a
nightmare as …
<http://allafrica.com/stories/200706180177.html>
Tennis Shoes, Plus Spikes?
National Journal - Washington,DC,USA
"On the one hand, she's the soccer mom in tennis shoes," said a Washington
state GOP operative who asked for anonymity. "On the other hand, she's
created a …
<http://news.nationaljournal.com/articles/070618nj1.htm>
1pm update: Personally I don't wear cheap shoes
Available For Panto - London,UK
Personally, I don't wear cheap shoes." "Look, he's already apologised, and
he thought they were the twins'." "Well why would you do that to the twins?

<http://www.availableforpanto.com/2007/06/1pm_update_personally_i_dont_w.html>
Tough Shoes to Fill!
By Brett Anderson
Before I talk about who I am, I just want to thank Laura for doing such a fantastic job with the global warming blog. I have been following this blog since the beginning, and Laura has shown great objectivity in…
<http://global-warming.accuweather.com/2007/06/tough_shoes_to_fill_1.html>
Global Warming
<http://global-warming.accuweather.com/>www.tenfeishoes.com sell jordan shoes
Ten Fei Shoes Co.,ltd (www.tenfeishoes.com) is a leading company that wholesale brand shoes ,watch,jeans,t-shirt,clo.
<http://www.allactiontrade.com/tradeoffers/detailoffer_142943.html>
B2B Marketplace, B2B Trade Leads,…
<http://www.allactiontrade.com>Green Shoes. Green Tap Shoes.
He wore grey pants, a yellow shirt left unbuttoned, and green shoes. Green tap shoes. He placed the towel on the six feet tall speaker system and started tapping. He tapped for two hours. Jazz on shoes. I was at Saddler's Wells Theatre …
<http://scienceblogs.com/thescian/2007/06/green_shoes_green_tap_shoes.php>
The Scientific Indian
<http://scienceblogs.com/thescian/>Top 10 Skate Shoes
Top 10 picks for skate shoes! Read about the best shoes for skateboarding on the market, and check out some hot reviews as well. This list of the top 10 skateboarding shoes should help you with your skate shoe shopping, …
<http://skateboard.about.com/od/gear/tp/TPShoes.htm>
About Skateboarding: What's Hot Now
<http://skateboard.about.com/>Skullsunlimited.com
By monika(monika)
OMFG!!! I had this toy sandstone skull fossil kit that came with a chisel, mallet and paintbrush, excuse me, "fine duster," that I'd been saving for a special occasion because it was so amazing. Well, somebody hacked into our phones at …
<http://mmmmmonika.vox.com/library/post/skullsunlimitedcom.html>
With her black silk stalkings…
<http://mmmmmonika.vox.com/library/posts/page/1/>

With 24 To Go

Sunday, March 9th, 2008

If the Yanks go 7-2 in their final nine home games, and 9-6 in their final 15 road games, the Red Sox would just need to go 10-14 from here on out to win the division.

Etc, etc.

[Update, 5:16 PM, This just in: Clemens to miss next two starts. So, despite that I’m sure that he was dying to pitch at Fenway, he’ll just barely not be able to make it. Gee whiz, what are the odds? Ohhhh wellll. That leaves the Yanks staff looking like this for the next two weeks: Nobody, nobody, nobody, kinda Pettitte, kinda Wang. Go Seattle, it’s yours for the taking!]

Comment 9 on Has Anyone Seen My Sense of Humor?

Friday, March 7th, 2008

In My Blue Heaven, Rick Moranis plays an uptight FBI agent watching Steve Martin, who plays Vinnie Antonelli, a recently relocated wiseguy in a witness protection program.
Joan Cusack, who is one of the funniest women alive, plays a suburban cop, with no sense of humor, who thinks the FBI has loosed a one-man crime-spree, in the form of Vinnie Antonelli, on her little community.
One of the great lines is Vinnie telling the Cusack character that "everybody thinks they have a sense of humor. Even people who don’t!"
Then he asks her whether she knows what the difference is between a light bulb and a pregnant lady. She don’t. "See what I mean," says Vinnie after he delivers the punchline.
Maybe you never really had a sense of humor; you just thought you did?
In Spanish, you cannot say, "I lost something." YOU would say, "The thing is lost to me." Saying "I lost my wallet!" versus "The wallet is lost to me!" are decidedly different views of the world.

Think Of The Children: Overhyped Claims Of OLPC Porn

Thursday, March 6th, 2008

Proof that young boys all around the world are the same: A reporter for the official News Agency of Nigeria claims laptops donated by the One Laptop Per Child (OLPC) project to Nigerian schools have been used to browse and store pornographic images.

Given that any computer anywhere in the world can be used to “browse and store” pornographic images, we can’t help thinking this is some sort of deliberate smear attempt at the OLPC project, which, for some reason, seems to raise the ire of many people.

As Wayan Vota of One Laptop Per Child News (not affiliated with the actual OLPC group) writes “to focus on it this much means that the reporter really wanted a headline grabbing story or is against the project on a personal level.”

We tend to believe the former explanation, but whatever the case, the team behind the OLPC says filters will be installed on future versions of the machine, which, given the curiosity of children, is probably how things should have been from the beginning.

Because most movies now are just bad video games anyway

Wednesday, March 5th, 2008

Brash Entertainment, a start-up focused on movie-based video games, raised $400mm from Abry, New York Life Capital and PPM America. Brash reportedly has 12 games in the pipeline and 40 film licenses to work with, stemming from deals with five film studios. Brash is taking the road less traveled when it comes to adapting a film into a complete clunker of a video game. Activision can have its Spider-man games and EA can have its Harry Potter and Lord of the Rings games (the LoTR online game, currently in beta, is perhaps the only sure-fire upcoming film inspired video game success) and Brash will stick with more counter intuitive adaptations. Adaptations like the Saw horror-flick franchise, because there’s nothing quite like directing your own torture sequences with the Wii-mote.

The “brains” behind Brash Entertainment include a long list of Hollywood veterans. Brash co-founder Thomas Tull is chairman of Legendary Pictures and helped finance a slew of the most video game-esque movies to hit the screen (Superman Returns, Batman Begins, Aqua-man Hesitates, Iron Man Oxidizes Badly, and 300).

Video games based on movies have been almost universally horrid since the ET game for the Atari set the bar with its unplayable interpretation (or Beckett inspired dilemma) of ET as a green blob that aspires to repeatedly fall into holes to find spaceship parts, yet can’t escape the first one.

Although critically panned, video game film adaptations can perform well commercially, as half-billion dollar budgets these days can provide enough marketing muscle to brainwash anyone.

The Brash Entertainment website is brashly underdeveloped, with a lone quote from Mitch Davis, Chairman and CEO, who vows that:

By bringing together Hollywood’s brightest creative talent and the game industry’s most innovative independent game development studios, our experienced production team will realize the full potential of today’s most popular films and television shows.

A Start-Up’s Risky Niche: Movie-Based Videogames [Wall Street Journal]